Natasha’s past comes back to haunt her in a very public way in Black Widow #12.
As Anderson Cooper exposes Natasha’s recent activity, both as a
S.H.I.E.L.D. operative and contracted agent, the rest of the superhero
and espionage communities at large must scramble to deal with the
backlash. While “celebrity guest appearances” such as the one made here
tend to be campy, the use of the news anchor serves to ground the story
in a semblance of realism and considerably raises the stakes of Natasha.
In Somalia, Natasha is far removed from the troubles brewing back
home during a routine mission with the Howling Commandos. After the
recent dilemma with Chaos she welcomes the change of pace, even as the
Avengers confer with Maria Hill to try to minimize the damage of the
report. Every mission since the title began is put under the microscope,
her actions and motivations analyzed and debated as eye witnesses give
accounts of her very public encounters with assorted antagonists.
In the age of whistleblowers and the demand for government
transparency, Black Widow #12 strikes a timely chord. Such an
investigation into the scope of Natasha’s missions as an agent of
S.H.I.E.L.D. and member of the Avengers calls both of their authorities
into question; considering what these entities have recently been up to
in Avengers and New Avengers respectively, the public is surely watching
people like Natasha quite closely. Edmondson also brings up an
interesting point of contrast, whether implicitly or not, between how
the public (and the reader) views operatives like Black Widow or Hawkeye
and “heroes” like Iron Man or Captain America.
While Natasha’s reputation as an assassin is well-known, all of them
have done questionable, sometimes even treacherous things in the name of
larger causes. The only thing that really separates them is the fact
that people like Natasha primarily use violence as their means, whereas
people like Tony Stark are largely Machiavellian, scheming and
manipulating people and scenarios to achieve their desired outcomes. Of
course the Avengers have been scrutinized by both the public and the
government in various storylines, but it still raises the interesting
question of who bears the guilt when secrets such as these come to
light.
With strong scripting and artwork from start to finish, Black Widow #12 is another solid read from this creative team.
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